This week, the blog Punk Friction waxes nostalgic about Mellon Collie and the Infinite Sadness, the third studio album by Smashing Pumpkins, released back in October of 1995. See more here.
To me, this double album seemed like more of an overreach than anything else, especially in light of the fact that nearly no follow-up effort could complete with the band's prior LP, Siamese Dream. But in the past fifteen years, Mellon Collie has certainly grown on me (although I still can't quite listen to "Bullet with Butterfly Wings," as I'm still recovering from its heavy rotation on rock radio from back in the day). Of course, these days, Smashing Pumpkins is without its original line-up, and it exists more as a brand and vehicle for Billy Corgan than anything else.
Dirty Little Billy
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