Photographs of Chris Cornell and Kim Thayil of Soundgarden, taken during the band's 55 minute set at Lollapalooza '92, on Saturday, September 5, 1992 at the Fort Bend County Fairgrounds in Rosenberg, Texas (just outside of Houston, Texas).
Back then, Soundgarden was a bigger draw than Pearl Jam and many of the other acts which appeared on the bill at Lollapalooza '92. They had been around longer, had released more albums, and had even produced a Spinal Tap cover sometime in the late 1980s. Heck, they had to have had at least some indie street cred to have appeared on the 1990 soundtrack to Christian Slater's Pump Up The Volume, right? After the show, Marty Racine of the Houston Chronicle summed up Soundgarden's set as follows:
Soundgarden (6:25-7:20 p.m.) is credited with establishing the buzzword "Seattle Scene," developed years after the city had produced such other national entities as Queensryche. It offers a bottom-heavy sonic attack that sludges through the muck of metallic riffing, turning every lick into high melodrama. Touring behind the new "Badmotorfinger," band members culled doses of "Louder Than Love" and perhaps their best disc, "Temple of the Dog," into their most persuasive set I've heard. They easily surpassed their tedious set at The Summit in January opening for Guns N' Roses.1
In 1992, Soundgarden was perhaps at its peak, artistically, although it still had commercial success two years in its future with the 1994 release of Superunknown, an album which spawned way too many radio friendly hits for a band with such roots. (If you were in Austin in the mid-1990s, you could not escape the KLBJ-FM television ad featuring "Spoonman."). The 1992 tour was in support of 1991's far better, far more original Badmotorfinger (which, if you were lucky, came accompanied by a second disc, the EP Satanoscillatemymetallicsonatas (or SOMMS). In the pre-Internet days, it was a coup to discover such a rarity existed, much less that it could be found at your local record store.
As Racine mentioned, before Lollapalooza '92, Soundgarden last played Houston in January of 1992 opening for Guns N' Roses at The Summit. (It seems as if the reference in his review is thrown in there only to alert the reader that yes, he did indeed attend the earlier show, and isn't he above it all of finding it tedious.). By coincidence, the very day before Lollapalooza '92, Guns N' Roses also returned to Houston with Metallica and Faith No More for a show at the Astrodome. Many Houstonians attended both that and Lollapalooza. (Soundgarden would play Houston's Astrohall arena in July of 1994 and not play "Outshined.").
I didn't bother to check to see if the Chronicle ran a correction, but "Temple of the Dog" was most definitely not a Soundgarden record. It was the self-titled and only album by a group featuring Cornell, Stone Gossard, Jeff Ament, Mike McCready, Matt Cameron and Eddie Vedder. Of the six members, only Cornell and Cameron were of Soundgarden, the rest being with Pearl Jam. (How amusing it is to discover a fifteen year old error.).
I couldn't tell you without looking it up when exactly the band fell apart, but I know they did, and that their last work with which I was truly familiar came in 1994. I understand that Cornell later fronted Audioslave, but by that point, I couldn't have cared. And, yes, the photographs above were indeed taken by me, using my photo pass.
1. Racine, Marty. " Lollapalooza!/The music is a decidedly hip, high-strung hybrid of rap, funk and hard, linear beats, laced with a requisite dose of attitude. 'Lots' of 'tude/New generation finds its alternative," Houston Chronicle, September 7, 1992.